Véronique Garceau-Lauzière is currently a content producer at true naturefrom the documentary series Stefanoand from The Agency that invites us into the universe of Michel Dorion and the drag shows that he directs and that he wants to popularize. An infinitely human project about extraordinary artists, whose discipline is also a way of life.
Véronique Garceau-Lauzière, Content Producer at L’Agence. Photo provided by Productions Déferlantes
Over the years, Véronique Garceau-Lauzière has also invested in the content of various programs that have nurtured her culinary side and her passion for culture. Various projects are listed on his CV: from Simply Clodine to Unlimited Access to Phil s’invite or Ginette, ma vie.
How important is Michel Dorion in the drag scene?
Michel has been evolving in the drag scene for 35 years. He is mentor, manager, drag. He has so much experience, he’s impressive. Having your seal of approval gives you credibility. He does a lot to spread the word about drag, whether it’s at his bar, at a church, at a campground, or through storytelling. There are always new drags who want to go to his agency. He opened the doors wide for us.
Tell us about the protagonists we follow in the series?
It was important to show the full diversity of the environment. Crystal is the newcomer. She’s young and generates a bit of jealousy. Miss Butterfly lives only for that. He is the most extravagant character. She is a very night owl. Velma is the only girl. She also does drag queens and drag kings. Ciatha is a construction worker by day and a tow worker by night. She really sings. Chouchoune is an executive of a large company. She does a lot for body diversity.
It’s still a touchy subject if we are to believe certain recent events. What tone did you want to give the series?
We wanted to be fun and have a bubbly side. There are also touching moments. We are in acceptance. It feels very good.
What did you find out about this environment while working on this series?
It’s very physical work. The Drags deliver performances on stage, they are always on the heels. Crystal even does the splits in high heels! Costume changes are very quick. One zips up the other while she puts on her wig. Sometimes they are alone to do everything. There is plenty of support behind the scenes. In the Sainte-Marcelline church, the mayor even offered to help with the “quick change”. The drags have the opportunity to exchange ideas with the public. They know how to pick up each and every viewer individually if needed. They listen, they’re funny, they have so much quick wit. Most make their own costumes and wigs. It is expensive for them to maintain their wardrobe. You are prepared for all eventualities if something breaks. They often fill up at home and then go to the gas station or to the supermarket. Costumed or not, there is no limit. Her character is an extension of herself.
Why is it still relevant to present a series about the drag universe?
To further change the mentality. We can see that changing. Crystal’s parents hid the dresses and barbies for a long time. Ciatha’s colleagues know he’s a smuggler. Events are often sold out. The audience is young, old, boys, girls, gays, straight people. The drags are performers on stage, they put on a show in the same way actors do theatre. It’s a real passion because it’s a lot of work for little in return. I think with the series people will discover the very human side of this environment. Receipts are not accepted at the agency. You have to be straight. It’s healthy, it’s fun.
► The Agency: available on TRUE