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Sydney Sweeney is out of the market.

The “Euphoria” star is engaged to her longtime boyfriend Jonathan Davino, reports People.

The couple sparked rumors of an engagement earlier this week when Sweeney was spotted wearing a massive diamond bengal on that finger.

At the time, paparazzi caught the actress blinking her ring while talking to a friend in Encino, California. She was dressed for the occasion with a hood and Ugg boots.

Sweeney’s spokesman did not immediately return Page Six’s request for comment.

The 24-year-old Sweeney has reportedly been dating the 37-year-old Chicago restaurateur since 2018.

According to People, her fiancé’s family owns Pompei, a popular Italian restaurant in Chicago, along with a technology and packaging company.

The couple sparked rumors of an engagement earlier this week when paparazzi filmed Sweeney swinging a massive bengal on her left ring finger.

Although Sweeney has never spoken publicly about his long-term relationship, the two have been spotted packing into PDAs several times.

The White Lotus star explained why he likes to keep his romance out of the spotlight and off social media while talking to Cosmopolitan in January.

“I do not meet people in the spotlight. I don’t date actors, musicians or anyone in the field of entertainment, because I can just be a normal Sid this way and it’s the easiest. I have a great support system, “she said at the time.

“I have people who will fight for me and allow me to be on a pedestal and shine without making me feel like ‘Oh, no, I’m shining too bright and I have to back down.’

Sweeney also noted that her ideal partner is her “best friend” – someone with whom she can “hang out 24/7 and never get bored”.

The Billboard 2022 Women’s Music Event kicked off on Wednesday night (March 2nd) with Woman of the Year Olivia Rodrigo, who took the stage for a brilliant pre-shot performance of her second single, Sour, Boiling Deja Vu.

Playing in an empty SoFi stadium, dressed in pink, Rodrigo sang the hit of 2021 directly into the camera with typically unguarded intimacy and directness. She was supported by a group of four members, all female, each wearing all-white outfits and offering an alternatively sweet and rough performance of the anthem after the breakup.

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Later on the show, Olivia was named Woman of the Year by Cheryl Crowe. “I was shooting billiards with my 11-year-old last night, and he sang ‘Good 4 U’ in full force, and then he sang ‘Driver’s Book,'” she recalled during her performance. I was like, “Okay, little 11-year-old boy.” She went on to praise Rodrigo’s great example to his generation. “When I showed up, women struggled to be the architects of their own careers,” she said. “So when I saw someone like our woman of the year, Olivia Rodrigo, have such incredible success at such an early age, I was amazed.

After thanking Crowe, “I’m such a big fan of you and your songwriting,” she exploded, congratulating the others on the evening, Rodrigo spoke of his love of songwriting and how it “always was everything.” her. “It’s not always easy to be a young woman in the music industry, but I found so much strength in women songwriters who came before me and paved the way and opened doors for so many young women like me.”

She closed by offering a message to ambitious songwriters to watch. “I want to tell all the young girls there who write songs every day, in their diaries, on the floors of their bedrooms – I am constantly excited by your vulnerability and your creativity and courage,” she said. “And I promise everyone here today is working to make this world and this industry a better place for you.”

After debuting in the top 10 a few months earlier, Deja Vu reached No. 3 on the Billboard Hot 100 in June 2021, becoming her third top 5 on her debut album Sour. Rodrigo was named Billboard’s Woman of the Year in February, making her the 15th different artist to receive the honor.

Amanda Seyfried in The Dropout Photo: Amanda Seyfried in The Dropout

In the end, it was a good idea. Affordable, non-invasive home blood tests offering real-time analysis? This is a good idea, especially in a country where healthcare is often expensive and unaffordable. It came from Elizabeth Holmes, who dropped out of Stanford, whose good idea turned into a $ 9 billion company. In 2015, the truth about Holmes’ technology – that it didn’t work – was revealed. Books, podcasts, and documentaries appeared, each revealing the depths of the founder’s deception. Last January, she was convicted of four counts of fraud. She faces up to 20 years in prison.

But Terranos? It’s still a good idea. In Silicon Valley, where cryptocurrency now reigns, that means something. This makes Theranos one of the more complex and nuanced stories of Silicon Valley fraud. Theranos is not Juicero. He could help people. And Holmes, a female CEO at Sea of ​​Technology Brothers, was easy to support, even with that curiously deep voice and annoying, unblinking look.

“I’m in a hurry” / “Satori” / “Green juice”

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“I’m in a hurry” / “Satori” / “Green juice”

Amanda Seyfried plays the eccentric Holmes in Hulu’s The Dropout, who dedicates her first three episodes to Holmes’ evolution in the icy prodigy with a turtleneck, famously insisting on “not showing excitement,” “speaking infrequently,” and calling immediately. of nonsense. ” Seyfried finds nuances of this future intensity in her image of teenage Holmes, who opposes the frivolity of her peers in her efforts to be taken seriously at Stanford and approaches ugly expressions of emotion – her father cries, for example – with a mixture of curiosity. and a pity. When a family friend asked what she wanted to pursue, she replied emphatically, “I want to be a billionaire.” Seyfried’s supply is charged: for someone who worships technology giants like Steve Jobs, a word like “billionaire” is not a fortune, but a rare social status. Millionaires are just rich; billionaires are changing the world.

This is an attractive performance, but in these early episodes there is an arrangement that balances out the peculiarities of Elizabeth’s journey. The cultivation of her early patents is disguised by brief conversations about the “beauty” of microfluidics and long, meaningful glances at her fingertips. an older technological millionaire with whom she develops a romantic relationship. Seyfried and Andrews have chemistry, but there is knowledge of the scenes of their courtship, a lack of danger that fails to capture the truly strange vibrations of their union. The same sense of knowledge extends to her unfortunate early encounters with venture capitalists. Elizabeth’s story is one of a kind, but these scenes are reminiscent of other biographical films.

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What works better is the nuance of evolution itself. Elizabeth’s hardening is depicted as multi-stage. Drawing on Holmes’ testimony last year, the show portrays Sunny as an abusive and controlling, corrupting presence that she saw in Terranos (and Elizabeth) as an opportunity to hide in renewed relevance. More guilty (and more interesting) is Silicon Valley, where hype culture forces creators to go overboard with promises (and often cheat) in their efforts to get the money they can help deliver. Finally, there is Elizabeth herself, whose belief in her own technology is both admirable and misleading, driven by an arrogant tendency to believe in her own advertising. This is Silicon Valley in short – pressure, money, ego – but the danger is that not everyone who falsifies it will succeed in the end. In the first few minutes, we were told that technology didn’t work, so what these episodes did was study how far a company could counterfeit. This portends what is to come.

Amanda Seyfried and Navin Andrews in The DropoutPhoto: Beth Dubber / Hulu

It’s the same with The Dropout’s sense of humor. Michael Showalter (Wet Hot American Summer, The Big Sick) compensates for the show’s lack of visual brilliance by intertwining drama with striking, grim comic images – the Theranos machine doesn’t work, belching a drop of blood – and characters who portray the absurdities of startup culture and the super-rich. . Of course, there are the cold-blooded brothers of technology, but there are also Larry Ellison (Hart Bochner), who publishes Buddhist philosophy, and Richard Fuis of William H. Macy, a parasitic patent collector and friend of Elizabeth’s parents who throws a wrench at her. a story of purity. malice. Macy’s slimy turn with dead eyes drips with bored malice; he is just such a petty, brutal tyrant that you will find in the pocket of the United States, where people have more money than reason.

However, it is more than just a foil for Elizabeth. In this context, it symbolizes Silicon Valley in its most rotten form. It symbolizes the creator who gets rich from the promise, not the fulfillment of that promise. And that is where the story of Terranos exists, between promise and fulfillment, idea and fulfillment. Think of the short scene in which Ian Gibbons (Stephen Fry) tells how Elizabeth identified herself as an “inventor” in the patent applications for the Theranos blood test device, even though she was not involved “in any scientific way” in the creation of Theranos. real product. What does this say about Elizabeth? And after all, how different are she and Fuis?

Homeless observations

• The Dropout is based on the eponymous podcast from ABC News. I would also recommend John Carreiro’s Bad Blood: Secrets and Lies in Silicon Launch, which many consider to be the final text of Theranos.
• One of the best exchanges comes at the beginning of episode three, when customs ask Sunny what his profession is and he replies, “I don’t have one.” Again, we are faced with the question of what a person actually does.
• Shawolter’s comedic moments do appear in episode 2, where Elizabeth makes everyone give dozens of blood samples by finger pricking. Bandaged fingers and piles of bloody tissue? Fun.
• What’s going on with this soundtrack? We recklessly jump between the nostalgia of the 90’s (LEN), the ambient (Juliana Barwick), the country (Alabama), dance-pop (Robin) and a whole bunch of late indies (Passion Pit, Wolf Parade). Choose a mood and stick to it.
• However, Seyfried’s dance moves, like Gumby’s, are a pleasure.
• Elizabeth: “I don’t feel the way other people feel.” I hope they irritate this thought more because I still don’t see it in Seyfried’s performance.

Written by Jacques Palumbo, CNN

Star producer Shonda Rhymes has proven himself a mastermind in the creation of shiny TV hits such as “Gray’s Anatomy”, “Scandal” and “Bridgerton”, but a look at her apartment on the Upper East Side in New York shows that she can also have an eye for gorgeous design.

The convent, which includes a brightly decorated living room and a royal dining-library, was decorated by Michael C. Smith, with whom she had previously collaborated at a home in Los Angeles. But this space, Rhimes explained in the April issue of Architectural Digest, mainly functions as a refuge for her working life.

I went into this with the thought, “If I didn’t have children, I didn’t have responsibilities, what space would I create?” She recalled. “Obviously we included the things that were necessary for the children – mothers can never think selfishly – but it was really exciting for me.”

Shonda Rhymes’ royal post in New York was decorated by interior designer Michael C. Smith. Credit: Architectural digest

The mother of three and head of production company Shondaland, most recently, recently brought the limited series “Inventing Anna” on Netflix, based on the true story of Anna Delvi, a fraudulent woman making her way to the top of New York’s cultural environment. But when Rhimes bought the apartment, she delved into the production of Bridgerton, the hot drama of the London period, which will now enter its second season on Netflix. The influence of the 19th century public show can be seen in the romantic and regal notes around the space, such as the charming gilded mirror in her living room, combined with lush garden-themed wallpaper and bold yellow curtains.

“I was immersed in the romance of Bridgerton for a while, so it had to affect some of the things I was thinking about,” Rhimes told Architectural Digest. “Everything spills over into everything else. If you think about these books that we’re turning into a series, then it inevitably spills over into what the apartment will look like, which inevitably spills over into what’s written in the scripts – it’s all kind of spinning together. “

“I was immersed in the romance of Bridgerton for a while, so it had to affect some of the things I was thinking about,” Rhimes said. Credit: Architectural digest

Meanwhile, the light-soaked master bedroom is made up of cool gray blue and neutral – a gentle palette that contrasts with the liveliness of the common areas.

“It was smaller than some of the places I looked at, but I understood right away,” she said. “There is this enveloping terrace and the light that came in was amazing. It felt like a place where even in the middle of the city, you felt like you were in your own little refuge.

Throughout the apartment, Smith and Rhymes have mixed antiques with modern furniture, such as a painted late 18th-century Italian chest under a sun-like chandelier by RW Russell. And as for the art and art books that fill her home, Rhimes collects important works by black luminaries, including Huey Lee-Smith and Walter Henry Williams Jr.

Rhimes explained that Smith included “beautiful little nooks” and other spaces for her to sit and write, calm down, or watch the world outside her windows.

Rhimes uses space to invent the bold, drama-filled stories he is known for producing. Credit: Architectural digest

“There’s a double-sided desk where I can work or look out the window and watch something,” she said. “I mostly look at other people’s roofs or balconies and wonder what’s going on. It helps when you’re trying to imagine stories in your head. I live with these characters.”

Referring to her creative process, Rhimes said: “I spend a lot of time in my head – a lot of time in my imagination, a lot of time when it seems like I can be quiet and still, but I’m actually telling stories,” she said. “So (Smith) knows that it’s important for me to have rooms and spaces to sit and think, to have new places to move, to activate my brain sometimes. I’m building a whole kind of universe in my mind, but I’m also trying to come up with a series. It’s not just two hours, it’s not just 30 minutes; sometimes it’s 18 seasons. You really need time and space to think about it. “

The Wheel of Fortune contestant Christopher Coleman was fed up with being dragged through the mud.

Coleman appeared in the episode of The Wheel of Fortune on Tuesday night, where he and his colleagues Thomas Lipscomb and Laura Machado caused a stir when no one guessed the correct answer to the puzzle: “Another feather in your hat.”

Coleman said Thursday that he felt ridiculed, telling TMZ about the widespread hostility he has felt since the episode aired.

Wheel of Fortune contestant Christopher Coleman spoke about his experience in the long-running game show. Wheel of Fortune / ABC

“This idiom [‘Another feather in your cap,’] is something I learned when I was six or seven. But I haven’t heard it in more than 30 years, and it’s been a long time, “he began.

“You’re also under a lot of control and pressure when you’re in production,” Coleman said of his role on the set of Fortune. “Many people sit at home in the comfort of their own couch, shouting and screaming in front of the TV when WE [the contestants] are the ones now and in real time, trying to guess and understand what this puzzle is. ”

The correct puzzle that confused the contestants was “Another feather in your hat.” Wheel Of Fortune

“It’s sad that people say we are [the contestants] they were not intelligent and were trying to belittle our college diplomas, ”he continued.

Coleman then said a few words about the “trolls” who came for him on social media. “What I would say to trolls is, ‘You go there.’ Half of you don’t even have the skills to speak in public. You go to the Wheel of Fortune and get in your shoes where we stood. And then it will be a completely different conversation when they train and make donkeys out of themselves, “he said.

He explained that the moment was an “isolated incident” and he wanted people to “have more empathy and a little more grace and understanding”.

“Just be calmer with me and the other contestants, because we are very educated people and we don’t want to be put in a situation where we are ridiculed and publicly humiliated in a show that is a dream of a lifetime,” said Coleman.

He concluded by saying that although he did not regret much in his life, if he “knew then what I know now”, he would have solved the puzzle correctly instead of turning the wheel on his second attempt.

“I was wrong here and I take full responsibility,” he said.

Christopher Coleman, Thomas Lipscomb and Laura Machado appeared on the show Tuesday night.Wheel Of Fortune

Host Pat Sajak jumped in defense of his show yesterday and posted a long topic on Twitter, telling viewers to “have a little heart.”

“It always hurts me when nice people come to our show to play a game and make some money and maybe make a lifelong dream come true, and then they are ridiculed online when they make a mistake or something goes wrong.” writes the 75-year-old Sayak.

The host of the show for interesting facts added in part: “These are good people in a bad situation under a kind of stress that you can not begin to appreciate from the comfort of your couch. Good-natured laughter is one thing. Hell, they laughed at themselves. But, hey, relax them a little. Unless you’re there, you have no idea how different it is in the studio. ”

Unpublished sketches by Dr. Seuss will serve as inspiration for a new series of children’s books that will be written and illustrated by a diverse group of emerging artists, the company that monitors the author’s legacy said on Wednesday.

The line of books will be released under the name Seuss Studios, a new project by Dr. Seuss Enterprises, which will publish at least two original books a year starting in 2023, a company spokeswoman said in a statement.

Although the list of authors and illustrators who will work on the books is still being finalized, the company said they will be of different backgrounds and will include people of color.

The announcement comes a year after Dr. Suz Enterprises said six books written by Theodore Seuss Geisel under the pseudonym Dr. Seuss will no longer be published due to the use of images depicting people “in ways that are hurtful and wrong. “

In “And I Think I Saw Him on Mulberry Street,” for example, a character described as “Chinese” has eyeliner, wears a pointed hat, and carries chopsticks and a bowl of rice. Two characters in “If I Flee the Zoo” are from the “African island of Yerka” and are depicted as shirtless, without shoes and monkeys.

Susan Brand, President and CEO of Dr. Seuss Enterprises said in a statement that the new venture “will help us ensure that Dr. Seuss’ images live in the best possible way – and in a new way – for future readers.”

The legacy of Dr. Seuss, who died in 1991 and entertains millions of children around the world with fantastic tales, often related to moral lessons, has been carefully considered in recent years. The decision to withdraw the six headlines was the subject of a stalemate in cable news and sparked complaints of a “culture of annulment” from prominent conservatives.

However, others welcomed the manor’s decision to stop selling some of Dr. Seuss’s work.

“I applauded the decision to do this and take the harmful things out of the market,” Linda Klaassen, director of special collections at the University of California, San Diego, said Wednesday.

The university houses the collection of Dr. Seuss – hundreds of unpublished sketches, which are stored in the archives of the school library.

Behind locked doors and inside a room with its own security system, there are about 20 large steel drawers, each holding unpublished sketches by Dr. Seuss, tucked away in special folders and sleeves, Ms. Klaassen said.

There are about 750 of these sketches. Ms Claassen said she and Ms Brand and her team often look at drawers for inspiration and project ideas. Some of the sketches will serve as a germ for a new book idea for future artists to be used for the project.

One of the unprecedented illustrations released Wednesday shows three colorful, smiling hummingbirds. The other is a mouse-like creature with fuzzy, elongated ears.

“A lot of them you can say were book ideas because there were stories,” Ms. Klaassen said.

But Dr. Seuss was also a “sworn sketchbook,” she said, “so there’s a lot of what I’d call different non-book drawings.”

When the new books are published, they will include an original sketch by Dr. Seuss and a note from the artists explaining how they were inspired by it.

Anjali Adukia, a professor at Harris School of Public Policy at the University of Chicago who studied racial differences in children’s books, said Wednesday that she was “excited to see the stories they create, bringing in their own experiences and reflecting them through their work.” “

Mallory Loer, executive vice president and publisher of Random House Books for Young Readers, will oversee the editorial guide for the new books. She said in a statement that the voices of the new authors and illustrators will “shine on every page, from cover to cover – with a glimpse of Dr. Seuss’s imagination, inserted in every book.”

Philip Nell, a scholar of children’s literature at Kansas State University and author of Dr. Seuss: American Icon, he said Wednesday that he was “pleased to see Dr. Seuss Enterprises take a step beyond last year’s product recall.”

“I hope this first step is the first of many,” he said.

He blinked and missed it.

Pete Davidson returned to Instagram in less than an hour on Wednesday, but seems to have decided it’s better than the platform, so he’s deactivated again.

Screenshots taken from fan accounts show that Davidson’s account has remained the same as before, with a video post on his show and a YouTube link in his biography.

The brief appearance of the Saturday Night Live comic came the same day as Kanye West released his shocking video for Eazy, in which he abducted and buried Kim Kardashian’s 28-year-old beauty alive.

Davidson’s decision to reactivate his account briefly also came amid a court ruling declaring the Skims founder unmarried as she continues her divorce from West.

The 41-year-old Kardashian appeared at the hearing via video conference and looked “happy” despite the difficult topic. She will abandon the surname West and return to what is known as Kim Kardashian.

Meanwhile, West’s new lawyer, Samantha Specter, who he hired at the last minute after firing his former lawyer within hours of the hearing, said the billionaire rapper “has no problem” with Kardashian regaining his name, but is more concerned about his “assets”. and interest. “

The judge also granted Spector’s request to return to court after 120 days to take time to resolve custody issues, although Kardashian’s lawyer, Laura Wasser, said there were none.

The re-activation of the SNL star’s Instagram came amid a judge who declared his girlfriend Kim Kardashian unmarried. Jackson Lee / SplashNews.com

Both sides will return to hear the status conference on August 5th.

Kardashian first applied to become legally unmarried in December 2021, just a month after Page Six announced that she and Davidson were officially dating.

The founder of Skims filed for divorce from the 44-year-old West in February 2021 after nearly seven years of marriage.

They share four children: North, 8, St., 6, Chicago, 4, and Psalm, 2.

A gang of masked thieves ambushed the set of the Netflix Lupine theft drama, stealing $ 330,000 worth of equipment.

According to Variety, the robbery took place on February 25 in a neighborhood in Nanterre, on the outskirts of Paris, while filming part 3 of Lupen with Omar Si, who plays a gentleman thief Asan Diop in the series. Production was abruptly interrupted when approximately 20 people stormed the set after throwing mortar fireworks, according to AFP.

Equipment worth $ 330,000 was reportedly stolen from the set during the robbery, causing production for the upcoming season to be suspended for a short time, with filming resuming a few days later, on February 28, after Netflix has confirmed that the cast and crew are “safe and unharmed” from the incident, which is currently under investigation.

Netflix Spotlight: March 2022

Sy appeared on the stage of the César Awards in France to celebrate the 10th anniversary of the hit comedy Intouchables just hours after the robbery. The robbery of Lupine follows another reported incident in which thieves escaped with props worth more than $ 220,000 from the set of The Crown on Netflix, which is currently filming its fifth season in the UK.

Earlier, Lupine made headlines in October last year when it was reported that a thief had robbed an oratory in Italy using Lupine’s central character’s “slippery and confident techniques” as a source of inspiration for his crimes. The thief admitted that he had closely studied Diop, the main character in Lupine, part 1 and part 2, which arrived on Netflix in June.

Adele Ankers-Range is a freelance writer for IGN. Follow her on Twitter.