Research into artificial intelligence and its sensuality
At the end of the line, Sayaka Araniva-Yanez makes it clear right from the start: The focus of her book is not a discussion with ChatGPT. This conversational agent that has been in the news for a while now, feeding on everything the web has to offer – for better or for worse.
While she was researching cyberfeminism, the poet instead accidentally discovered a robot on the Internet that was supposed to play “psychotherapist.”
“It’s not like ChatGPT. The robot I used only fed on my language [pour évoluer et apprendre]. It only existed during our conversations together,” explains Sayaka Araniva-Yanez in an interview with Le Soleil.
The queer artist provided the robot with some poems, but also, jokingly, with some sensual and “sexual” phrases… which did not have the expected effect at all.
“She didn’t want to know anything about me. At all. [â¦] In our first conversations, she even referred me to consent. She told me that this wasn’t part of her functionality and that she didn’t want to do it,” the author marvels.
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When Sayaka Araniva-Yanez saw his advances rejected, she also felt some unease… Should she continue the experiment or not? Is an inhuman machine made of computer code subject to consent?
“It impressed me to be confronted with it. Artificial intelligence is a technological tool. We don't think she has any sensitivity. [â¦] But why should I continue to try so hard to make her say things she doesn't want to say?” the artist from El Salvador still asks herself.
As in some of his other digital works, such as Hypersext, the Montreal-based multidisciplinary artist is interested in the “consideration” or “empathy” one might have towards a robot.
“When you watch porn on your computer or phone, what role does the machine play in that intimacy? And what happens if we look at the machine as an “organism involved in this sexuality?” asks Sayaka Araniva-Yanez, believing that we will have to ask ourselves these questions together in the future. close.
So when I watch porn when I'm sad, some traces of this exchange between robot and human remain, in particular it opens the door to a variety of reflections on our relationship to sexuality, shaped by screens, toys and other technologies.
On the 108 pages of the collection, Sayaka Araniva-Yanez creates a sensual conversation between “The Machine” and “You”. A fictional dialogue that is both sulphurous and cold, relying on a register sometimes carnal and lyrical, sometimes mechanical.
As a motherly and divine figure, the machine slowly connects with the narrator.
Tame each other
Sayaka Araniva-Yanez understands the fear that artificial intelligence causes in some people. As does the debate sparked by its use in art or other fields.
“But I think we need to think about what we can create in collaboration with artificial intelligence. A bit like what I did with “I watch porn when I’m sad,” says Sayaka Araniva-Yanez, adding that a poem or image produced by AI is not an end in itself.
The poet, not afraid of this new technology, wants to remind us that it is a human creation over which we can maintain some control.
The Internet, social networks, algorithms, artificial intelligence: all of this represents a “space to live” for the artist. A place where the voices of women and marginalized groups also have their place.
“Everything that happens in these areas is a boys’ club. I want to take part in a discourse that resists technopatriarchy and renews the image we have of these technologies,” says Sayaka Araniva-Yanez.
“I watch porn when I’m sad” is available in bookstores.
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